Diane Atherton

Diane Atherton



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"Soprano Diane Atherton has an exceptionally fine voice, a sensuous and susceptible Eve, but quite capable of playing the dominatrix." -David Sonin, QEH London

"Nothing but praise." -Rodney Milnes, The Times

"Diane Atherton in the role of Gilda, Rigoletto’s daughter, shone like a beacon in a dark world, with a rich and ringing tone from the singer providing more than a few frissons of pleasure." -Linbury Studio, Royal Opera House: Micheal Darvel; What’s On Rigoletto

"Silvery and Winsome." -Washington Post , Concert with US Men's Army Chorus

"Exemplary phrasing in the Handel, a radiant Micaela brought the house down with Mein Herr Marquis." -Oxford; Hugh Vickers Opera Gala

"Diane Atherton has a champagne voice." -Glasgow Herald ,Raymond Gubbay J. Strauss Gala

"Diane Atherton (as the Angel) sang with light keenly focused sparkle." -Chicago Tribune , Handel's La Resurectione

"Most exciting was Diane Atherton’s virtuoso account, radiant alongside the children’s chorus." -Hugh Vickers Carmina Burana, Oxford

"Atherton got a chance to show off her attractive soprano." -QEH London: John Allison, The Times, Carmina Burana

"Magical singing from Diane Atherton as Pamina." -Harlow Citizen

"Most outstanding was Diane Atherton as Pamina." Bucks Herald

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